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<title><![CDATA[Ed Harris]]></title>
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    <title><![CDATA[Denver Film Festival : An Evening With Ed Harris]]></title>
    <link>http://blog.paran.com/harris/34883404</link>
    <description><![CDATA[<DIV style="TEXT-ALIGN: left">It's always very strange to see actors out of costume, dropping character, and sitting in front of you for a Q&amp;A. This is especially true of an actor like <A href="http://www.moviefone.com/celebrity/ed-harris/1443999/main">Ed Harris</A>, who has such a distinctive voice and presence that it's pretty odd to see him begging Kleenex from the audience so he can remove the fingerprints off his latest award. The man who seems so cool and collected in front of the camera (think of <EM>A History of Violence</EM>, <EM>Nixon</EM>, <EM>Gone Baby Gone</EM>, or any film where he's been unflappably tough) admitted that he lacked social skills, and was dreading the dinner to follow because he never knows what to say.<br><br>Well, for not knowing what to say, he still managed to be a very entertaining presence for an hour. When asked when he realized he was "pretty good" at acting, he cited an Oklahoma City production of Camelot which had him playing King Arthur. He had no memory of the performance, but has overwhelming memories of the "roar of sound" that occurred at the end. "You spend your whole life trying to get back to that," he admitted. But thanks to that enthusiastic crowd, he knew he was in for the long haul, and couldn't go back. Harris joked about how unlikely his career had been, since "I think my high school said I should be a forest ranger. And that'd be fun. I don't know how you go about becoming one."<br></DIV><DIV style="TEXT-ALIGN: left"></DIV><br><br>He noted that it was "kind of a trip" watching the film clips that covered his career, and seemed reluctant to delve into past characters. Unable to name a favorite (and what actor can?) he mentioned his role in Peter Weir's upcoming <EM>The Way Back</EM> as one that really stood out. As an experience and a character, it felt "very complete" and it no longer felt as if he was acting. Nor could he really come up with any roles he had regretted passing on save one: <EM>Full Metal Jacket. </EM>Stanley Kubrick had called him personally to offer him the role of Gny. Sgt. Hartman. When Harris replied "No, I don't think so," Kubrick was stunned into a "You're kidding me." But it wasn't the role (particularly in light of R. Lee Ermey's performance) so much as the chance to work with Kubrick that he now regrets. <br><br>As for the future, Harris is looking to return to the stage and perform some Shakespeare and "classical things," preferably in New York or Chicago. He hasn't pursued a lot of theater as his daughter was growing up, but now that she's sixteen, he feels his schedule is better suited to it. Apparently, being on our King Center stage was making him even hungrier to tread the boards, and it'll be exciting to see what production he winds up doing. He also hopes to return to directing, and make a film that he doesn't star in, but the problem is that to play Jackson Pollock or<EM> Appaloosa's</EM> Virgil Cole, he <EM>has</EM> to direct the film.<br><br>My clumsy recap doesn't really do much for Mr. Harris' discussion, so I apologize to anyone reading it. He's an engaging personality and there are less amusing ways to spend an hour. Oddly, the audience proved as interesting as Harris. As someone who has attended quite a few Q&amp;A's and round tables, it's no longer as earth shattering to be in the same room as a celebrity. But my fellow Denverites were so visibly excited to be a few rows from Harris that it was pretty infectious, and the informal event really turned into something quite "fannish," as people were eagerly shouting questions from the audience. As someone used to the strict line-ups and booming microphones of ComicCon setups, it was pretty fun to watch and participate in. Unfortunately, I was sitting too high up for him to see my arm. But that's okay, as I don't think anyone there but me cared whether there would be an <EM>Appaloosa </EM>sequel. <br><br>Hopefully, the snow will allow me to go see Harris' DFF film, <EM>Touching Home,</EM> so that I can bring a review to you. The clip we were shown was a gutting one, and may be one of Harris' best performances.]]></description>
    <pubDate>Fri, 20 Nov 2009 15:41:38 +0900</pubDate>
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    <title><![CDATA[Ed Harris elected to Screen Actors Guild Board of Directors]]></title>
    <link>http://blog.paran.com/harris/34117391</link>
    <description><![CDATA[<P>+ <A href="http://blog.newsok.com/television/2009/09/25/actor-with-oklahoma-ties-elected-to-screen-actors-guild-board-of-directors/">http://blog.newsok.com/television/2009/09/25/actor-with-oklahoma-ties-elected-to-screen-actors-guild-board-of-directors/</A></P><P>&nbsp;</P><H1 id=post-5752><A title="Permanent Link: Actor with Oklahoma ties elected to Screen Actors Guild Board of Directors" href="http://blog.newsok.com/television/2009/09/25/actor-with-oklahoma-ties-elected-to-screen-actors-guild-board-of-directors/" rel=bookmark ywaOnclickOverride="true">Actor with Oklahoma ties elected to Screen Actors Guild Board of Directors</A></H1><DIV class=post-meta-top><DIV class=auth><SPAN>Posted by <STRONG><A title="Posts by television" href="http://blog.newsok.com/television/author/television/" ywaOnclickOverride="true">television</A></STRONG></SPAN></DIV><DIV class=date><SPAN>on <STRONG>September 25, 2009</STRONG> at <STRONG>11:39 am</STRONG> </SPAN></DIV></DIV><DIV class=clearboth></DIV><!--content with more link--><P>&nbsp;&nbsp;<IMG class="alignright size-large wp-image-5754" title="Film Ed Harris" alt="Film Ed Harris" src="http://blog.newsok.com/television/files/2009/09/Film-Ed-Harris1-722x1024.jpg" width=325> </P><P>&nbsp;</P><P>Actor <SPAN style="COLOR: #ff0000">Ed Harris </SPAN>says his most embarrassing moment was modeling tuxedos at the Oklahoma State Fair in 1971.<br>&nbsp;&nbsp; Oklahoma is also where Harris was introduced to acting. He grew up playing sports in New Jersey, but he fell in love with acting while studying at the University of Oklahoma in 1972. He moved to Los Angeles the next year to pursue acting.<br>&nbsp;&nbsp; Now he is a four-time Oscar nominee (recognized for his performances in ¡°Apollo 13,¡± ¡°The Truman Show,¡± ¡°Pollock¡± and ¡°The Hours¡±) and newly elected to the National Board of Directors for the Screen Actors Guild¡¯s Hollywood Division.<br>&nbsp;&nbsp; Starting today (Sept. 25), he will serve a three-year term on the board along with <SPAN style="COLOR: #ff0000">Martin Sheen</SPAN> (¡±The West Wing¡±), <SPAN style="COLOR: #ff0000">Elliott Gould</SPAN> (¡±Baby Bob¡±),<SPAN style="COLOR: #ff0000"> Ed Asner</SPAN> (¡±Lou Grant¡±), <SPAN style="COLOR: #ff0000">Anne-Marie Johnson</SPAN> (¡±JAG¡±), <SPAN style="COLOR: #ff0000">Connie Stevens</SPAN> (¡±Hawaiian Eye¡±), <SPAN style="COLOR: #ff0000">Diane Ladd</SPAN> (¡±Alice¡±), <SPAN style="COLOR: #ff0000">Dul&eacute; Hill</SPAN> (¡±Psych¡±), <SPAN style="COLOR: #ff0000">Hill Harper</SPAN> (¡±CSI: NY¡±), <SPAN style="COLOR: #ff0000">Nancy Travis</SPAN> (¡±The Bill Engvall Show¡±) and <SPAN style="COLOR: #ff0000">Marcia Wallace</SPAN> (¡±The Bob Newhart Show¡±).<br>&nbsp;&nbsp; <SPAN style="COLOR: #ff0000">Ken Howard</SPAN> (¡±Crossing Jordan¡±) was elected as Screen Actors Guild president. He received 12,895 votes, with Anne-Marie Johnson coming in second with 8,906 votes.<br>&nbsp;&nbsp; ¡°I am deeply honored to be chosen by the membership to lead the Screen Actors Guild,¡± said Howard, who will serve a two-year term. ¡°I campaigned on the promise that I¡¯d do everything in my power to strengthen our position at the bargaining table by building a greater unity with AFTRA and the other entertainment unions, and that¡¯s exactly what I intend to do. Despite the sharp differences that those of us active in Guild affairs sometimes have over strategy and tactics, we need to continually remind ourselves that we¡¯re all on the same team, fighting for the same thing &#8212; and by pulling together, we¡¯ll only grow stronger.¡±<br>&nbsp;&nbsp; For complete results of the SAG elections, go to <A href="http://www.SAG.org" ywaOnclickOverride="true">www.SAG.org</A>.</P><P>&nbsp;</P><P>Pictured above: In this Sept. 4, 2008 file photo, actor Ed Harris poses for a portrait at the Royal York Hotel in Toronto during the International Film Festival. (AP Photo/Carlo Allegri, file)</P>]]></description>
    <pubDate>Mon, 28 Sep 2009 14:31:32 +0900</pubDate>
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    <title><![CDATA[Ed Harris has replaced Liam Neeson in `What`s Wrong with Virginia.`]]></title>
    <link>http://blog.paran.com/harris/33563341</link>
    <description><![CDATA[<font size="2"><span style="font-family: µ¸¿ò;">+ http://www.mlive.com/entertainment/grand-rapids/index.ssf/2009/08/open_casting_call_in_holland_f.html<br><br></span></font><h1>Open casting call in Holland for "What's Wrong with Virginia," starring Ed Harris and Jennifer Connelly</h1><h3>by John Serba | The Grand Rapids Press <div style="margin-top: 6px;">Monday August 10, 2009, 5:46 PM</div></h3><p><a href="http://www.tictockstudios.com/" target="_blank">TicTock Studios</a> just announced an open casting call Saturday for <a href="http://www.imdb.com/title/tt1440379/" target="_blank">"What's Wrong with Virginia,"</a> a drama starring <a href="http://www.imdb.com/name/nm0000438/" target="_blank">Ed Harris</a> and <a href="http://www.imdb.com/name/nm0000124/" target="_blank">Jennifer Connelly</a> that <a href="http://www.mlive.com/entertainment/grand-rapids/index.ssf/2009/05/movie_whats_wrong_with_virgini.html" target="_blank">will shoot in West Michigan</a> in late September.</p><p>From the TicTock press release:</p><a name="more"></a><blockquote>We are seeking:Real looking people of all shapes and sizesAges 18 and upUnion/Non-UnionNon-actors welcome<p>Of particular interest: 18+ year olds who can play younger, Male and Female Caucasian - principle roles</p><p>Speaking parts are available for the following:<br>Caucasian Females, ages 18-60<br>Caucasian Males, ages 18-95<br>Korean Female, age 50-70<br>African American Male, age 60-70<br>African American Female, age 40-50<br>Asian American Male, age 40-50</p><p>The casting call will take place:<br>Saturday, August 15, 2009<br>3PM - 6PM<br>11172 Adams St, Holland, Michigan<br>(Corner of Adams/16th St. and Country Club Rd., parking in rear of building)<br>Please bring proof of age!</p><p>Note: This is an OPEN casting call - there will be NO auditions.Selected people will be invited back for an audition at a later date.</p></blockquote><div class="photo-right small"><img src="http://blog.mlive.com/grpress/entertainment_impact/2009/08/small_ed-harris.jpg"><span class="caption">Ed Harris has replaced Liam Neeson in "What's Wrong with Virginia."<br><br></span></div><p>The casting call is being hosted by Michigan Casting Services, part of TicTock. Actors can register in the MCS database at <a href="http://tictockstudios.com/" target="_blank">tictockstudios.com</a>.</p><p>"Virginia" is studded with Oscar winners and nominees: It will be the feature-length directorial debut from <a href="http://www.imdb.com/name/nm0085257/" target="_blank">Dustin Lance Black</a>,who won for his "Milk" screenplay. It will be executive-produced by"Milk" director Gus Van Sant, nominated for said film and "Good WillHunting." Connelly won for "A Beautiful Mind," and Harris was nominatedfour times, including "Pollock" and "The Truman Show."</p><p>Harris will play a sheriff and Senate hopeful, and Connelly, hislongtime lover; his bid for office is in jeopardy when his daughterbegins dating her son.</p><p>Liam Neeson was originally slated to star, but scheduling conflictsled to Harris' casting, according to Dori DePree of TicTock Studios.</p><br>]]></description>
    <pubDate>Mon, 17 Aug 2009 17:58:20 +0900</pubDate>
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    <title><![CDATA[Western Heritage winners named in Oklahoma City]]></title>
    <link>http://blog.paran.com/harris/30557660</link>
    <description><![CDATA[<font size="2">+&nbsp;<a href="http://www.newsok.com/western-heritage-winners-named-in-oklahoma-city/article/3349338" target="_blank">http://www.newsok.com/western-heritage-winners-named-in-oklahoma-city/article/3349338</a><br><br>FROM STAFF AND WIRE REPORTS<br>Published: February 28, 2009<br><br>The Ed Harris film "Appaloosa¡± was named Friday among the winners of the National Cowboy &amp; Western Heritage Museum¡¯s 48th annual Western Heritage Awards.<br><br>The awards, to be presented April 18 during a black-tie banquet at the museum, honor and encourage the legacy of those whose works in literature, music, film and television reflect the significant stories of the American West.<br><br>Harris, an Oscar-nominated actor and filmmaker and former University of Oklahoma drama student, directed and starred in the Western, which he co-wrote and co-produced with actor-writer Robert Knott, an Oklahoma City native. Based on a Robert B. Parker novel about two town-taming lawmen in the Old West, the film also stars Viggo Mortensen, Jeremy Irons and Renee Zellweger.<br><br>"Appaloosa¡± is being honored in the theatrical motion picture category.<br><br>"The Challenge of Champions: The Story of Lane Frost and Red Rock,¡± won the d0cumentary category. Filmmaker David Wittkower¡¯s film follows the duel between World Champion Bull Rider Lane Frost and Red Rock, a bull that had been unridden in more than 300 tries.<br><br>In music, Gary S. Pratt won in the new artist category with his album "The Other Side.¡± This award is given to someone in the first five years of their career who has never received a Wrangler in an individual category and is striving to continue to produce music of the Western genre.<br><br>"A Cowboy¡¯s Special Christmas¡± by Red Steagall, from the album "A Cow Camp Christmas,¡± is the Wrangler winner for original composition. It is Steagall¡¯s sixth win in this category.<br><br>Best traditional Western album goes to "Gone to Colorado,¡± recorded and composed by Juni Fisher.<br><br>Literary category winners include:<br><br>Western novel: "Jackalope Dreams¡± by Mary Clearman Blew.<br><br>Nonfiction book: "The North American Journals of Prince Maximilian of Wied, Vol. 1¡± by Marsha V. Gallagher.<br><br>Art book: "In Contemporary Rhythm: The Art of Ernest L. Blumenschein,¡± by Peter H. Hassrick and Elizabeth J. Cunningham.<br><br>Photography book: "American Farmer: The Heart of Our Country¡± by photographer Paul Mobley and author Katrina Fried.<br><br>Juvenile book: "Journey to Gonzales¡± by Melodie A. Cuate.<br><br>Magazine article: "Bringing Home All the Pretty Horses¡± by Dan Flores, published in Montana, The Magazine of Western History.<br><br>Poetry book: "Poems from Dry Creek¡± by John Dofflemyer.<br><br><br></font>]]></description>
    <pubDate>Tue, 3 Mar 2009 07:08:53 +0900</pubDate>
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    <title><![CDATA[Jacob Burns Center honors Ed Harris]]></title>
    <link>http://blog.paran.com/harris/29491830</link>
    <description><![CDATA[<P>+ <A href="http://www.variety.com/article/VR1117998177.html?categoryId=13&amp;cs=1">http://www.variety.com/article/VR1117998177.html?categoryId=13&amp;cs=1</A></P><P>&nbsp;</P><P>Posted: Wed., Jan. 7, 2009, 6:22pm PTJacob Burns Center honors Ed Harris<br>Actor to be feted on Jan. 13<br>By SAM THIELMAN</P><P>&nbsp;</P><P>The Jacob Burns Film Center is set to honor Ed Harris at its eighth annual Silver Screen Circle dinner on Jan. 13. Harris has received a Golden Globe for his performance in "The Truman Show" and Oscar noms for his work in that film plus "Apollo 13," "The Hours" and "Pollock." Previous honorees at the Pleasantville, N.Y.-based Burns Center include Robert Duvall, Kevin Spacey and Hilary Swank.<br></P>]]></description>
    <pubDate>Sat, 10 Jan 2009 18:50:02 +0900</pubDate>
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    <title><![CDATA[Musicians and Movie Stars Will Turn out for Obama`s Inauguration ]]></title>
    <link>http://blog.paran.com/harris/29384048</link>
    <description><![CDATA[<P>+ <A href="http://www.latimes.com/entertainment/news/la-et-cause24-2008dec24,0,5984590.story">http://www.latimes.com/entertainment/news/la-et-cause24-2008dec24,0,5984590.story</A></P><P>&nbsp;</P><P>Musicians and movie stars will turn out for Obama's inauguration<br>Here's a glimpse at the lineup so far at various parties.<br>By Tina Daunt <br>December 24, 2008 </P><P>Other presidents have come into office concerned about the arms race. This one, the economy.</P><P>But when you're planning the parties that celebrate a new president's inauguration, the real issue on your mind is the battle of the bands.</P><P>Right now, anyone who can turn on a microphone or knows somebody who plays an instrument probably could get a gig in Washington the week of Jan. 18. Simply put: The laws of supply and demand seem to apply to musical talent just as they do Wall Street.</P><P><br>Here's a glimpse at the lineup so far at various parties:</P><P>This week, Feeding America, the nation's hunger reliever, and the Recording Industry Assn. of America announced that "multi-platinum, Grammy Award-winning global superstar" Rihanna will perform at their inauguration charity ball on Jan. 20. (In this competition, the booking is the equivalent of Obama's Iowa victory.)</P><P>&nbsp;</P><P>The chief executive and president of Feeding America, Vicki Escarra,said in a statement, "As the prevalence of hunger in America increases at an unprecedented rate, we are most grateful to Rihanna and to RIAA for helping us bring greater visibility to this tragic reality and helping us feed millions more people in need."</P><P>&nbsp;</P><P>David Arquette, chairman of Feeding America's entertainment council (and husband of Courteney Cox), added: "We are hopeful that President-elect Obama's pledge to fighting hunger in America and ending child hunger by 2015 will bring relief to . . . Americans at risk of hunger today. We can all do our part by raising money, donating food or volunteering."</P><P>&nbsp;</P><P>Last week, the Inaugural Purple Ball announced that Il Divo, an operatic quartet that toured with the real diva, Barbra Streisand in 2006, will perform along with crooner Peter Cincotti.</P><P>&nbsp;</P><P>The host committee includes Oscar-winning actor Louis Gossett Jr., Patricia Arquette, Amy Brenneman, <FONT style="BACKGROUND-COLOR: #fef4c4">Ed Harris</FONT>, Ashley Judd, Josh Lucas, Amy Madigan, Brad Silberling and Kate Walsh. Hill Harper will give the toast (sponsored, of course, by Mo&euml;t &amp; Chandon). Proceeds go to support the Eracism Foundation, a group started by Gossett to address the effect of racism.</P><P>&nbsp;</P><P>Meanwhile, the Creative Coalition, which started planning its inaugural party before the last midterms, announced that Sting, Sam Moore and Elvis Costello would be performing at its gala. (Now that's a bill.)</P><P>&nbsp;</P><P>Confirmed guests include Tim Daly, Tony Goldwyn, Anne Hathaway, Ron Howard, Kate Walsh, Spike Lee, Tim Robbins, Marcia Cross, Kerry Washington, Susan Sarandon, Seal, Jane Krakowski, Adrian Grenier, Ashley Judd, Bradley Cooper, Alfre Woodard, Blair Underwood, Barry Levinson, Dana Delany, Maggie Gyllenhaal, Peter Sarsgaard, Wendie Malick, Josh Lucas, Matthew Modine, Rachael Leigh Cook, Alan Cumming, Connie Britton, Keshia Knight Pulliam, Richard Schiff, Ellen Burstyn, Giancarlo Esposito, Gloria Reuben, Phillip Bloch, Tom Cavanagh, Lynn Whitfield, Tamara Tunie, Tom Fontana, Sue Kramer, Kim Raver and Maura Tierney.</P><P>&nbsp;</P><P>No word yet on Oprah Winfrey's lineup for her Obama bash. And we're still waiting to find out who will be playing the National Mall.</P><P>&nbsp;</P><P>Within the next week or so, all the major acts are likely to be spoken for. By the time the Obama inaugural rolls around, it won't be just policy wonks who are polishing up their r&eacute;sum&eacute;s but garage bands as well.</P>]]></description>
    <pubDate>Fri, 2 Jan 2009 11:46:18 +0900</pubDate>
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    <title><![CDATA[Harris in Weir`s new film?]]></title>
    <link>http://blog.paran.com/harris/29166988</link>
    <description><![CDATA[<P><FONT size=2>+ <A href="http://www.joblo.com/index.php?id=24376" target=_blank>http://www.joblo.com/index.php?id=24376</A></FONT></P><P>&nbsp;</P>A Bulgarian newspaper is reporting that Colin Farrell will star for Peter Weir (THE TRUMAN SHOW) in THE WAY BACK. Ed Harris will co-star in the movie about soldiers who escaped from a Siberian gulag in 1940. It is based on the book by Slavomir Ravich ¡°The Long Walk: the true story of a path to freedom¡±. Ravich and six other people manage to cross Siberia, the Gobi Desert, Tibet and the Himalayas, reaching India.]]></description>
    <pubDate>Mon, 22 Dec 2008 18:09:45 +0900</pubDate>
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    <title><![CDATA[Screen Actors Guild Announces ¡°Solidarity  Campaign¡±]]></title>
    <link>http://blog.paran.com/harris/29025394</link>
    <description><![CDATA[<P>+ <A href="http://www.sag.org/press-releases/december-12-2008/sag-announces-solidarity-campaign" target=_blank>http://www.sag.org/press-releases/december-12-2008/sag-announces-solidarity-campaign</A></P><P><B>Screen Actors Guild Announces ¡°Solidarity&nbsp; Campaign¡±<br>First 31 ¡°Solidarity Signers¡± add names to list of&nbsp; members in support of a ¡°yes¡± vote on the strike authorization referendum. <br>Among the names are several prominent Academy Award¢â nominees and recipients. </B></P><P><B>Los&nbsp; Angeles, December 12, 2008 </B>-- Screen Actors Guild today announced the&nbsp; names of 30 recognizable members who, along with Guild national president Alan&nbsp; Rosenberg, signed SAG¡¯s ¡°Statement of Support.¡± The first signers include Mel Gibson, Ed Harris, Holly Hunter, Martin Sheen, Sandra Oh, Hal Holbrook, Dixie&nbsp; Carter, John Heard, Jerry O¡¯Connell, Rob Morrow and 20 others.</P><P>Guild&nbsp; secretary treasurer Connie Stevens and 1st national vice president Anne-Marie&nbsp; Johnson also signed on to the statement as did board members Elliott Gould,&nbsp; Frances Fisher, Valerie Harper, Robert Hays, Justine Bateman, Clancy Brown,&nbsp; Charles Shaughnessy, Scott Bakula, Diane Ladd and others.</P><P>The SAG&nbsp; ¡°Statement of Support¡± which reads:</P><P>¡°I support the Screen Actors&nbsp; Guild National Board of Directors request for members to vote YES to empower&nbsp; the National Board to decide whether to call a TV/Theatrical contract strike,&nbsp; and if so, determine its timeframe.</P><P>We must arm our negotiating&nbsp; committee with the collective unity and strength of the Screen Actors Guild&nbsp; members.¡±</P><P>Holbrook, Asner, Sheen, Ladd, Fisher, and Stevens have&nbsp; recorded video testimonials and topical messages that will debut on Screen&nbsp; Actors Guild¡¯s website next week along with other celebrity&nbsp; testimonials.</P><P>The Guild¡¯s website now features video messages from&nbsp; Bateman, Shaughnessy and Brown prominently displayed in a homepage video&nbsp; viewer.</P><P>Initial signers include:</P><P>Ed Asner<br>Scott Bakula <br>Justine Bateman<br>Clancy Brown<br>Dixie Carter<br>George Coe<br>Anne&nbsp; DeSalvo<br>Frances Fisher<br>Mel Gibson<br>Brian Goodman<br>Elliot Gould <br>Ed Harris<br>Valerie Harper<br>John Heard<br>Robert Hays<br>Hal&nbsp; Holbrook<br>Holly Hunter<br>Anne-Marie Johnson<br>Diane Ladd<br>William&nbsp; Mapother<br>Kent McCord<br>Rob Morrow<br>Jerry O'Connell<br>Sandra Oh <br>Alan Rosenberg<br>Alan Ruck<br>Charles Shaughnessy<br>Martin Sheen <br>Connie Stevens<br>Renee Taylor<br>Alicia Witt</P><P>All SAG&nbsp; members are invited to sign the ¡°Statement of Support¡± by emailing their name&nbsp; and member number to <A class=mailto href="mailto:Contract2008@sag.org" target=_blank>Contract2008@sag.org</A>.</P><P>Video statements&nbsp; of support are playing now at <A title=www.sag.org href="http://www.sag.org/" target=_blank>www.sag.org</A>.</P><P>&nbsp;</P><P>&nbsp;</P><P>&nbsp;</P><P>+ <A href="http://www.variety.com/article/VR1117997375.html?categoryid=18&amp;cs=1" target=_blank>http://www.variety.com/article/VR1117997375.html?categoryid=18&amp;cs=1</A></P><P>SAG's war hits home</P><H2>East, West guilds battle over strike</H2><DIV id=author><H3><SPAN class=articleBy>By </SPAN><A href="http://www.variety.com/index.asp?layout=bio&amp;peopleID=1508" target=_blank>DAVE MCNARY</A></H3><DIV id=slideshow><SPAN class=noindex><!-- placeholder for evArticleSlideShowLink --><!-- /noindex --></SPAN></DIV><!-- end slideshow --><DIV class=clear></DIV></DIV><!-- end author --><!-- Article Nav goes here --><!--relatedlinks--><!--photos and more articles--><DIV id=photos><SPAN class=noindex><!--end photos and more articles--></DIV><P><!--end related links--><!-- End Article Nav --><!-- leave following div in place for infusion -->Civil war has broken out at the <A class=infusionLink href="http://www.variety.com/profiles/Company/main/2009764/Screen%20Actors%20Guild.html?dataSet=1" target=_blank alt="Screen Actors Guild" omd="zodJump('http://widgets.zibb.com/images/_jump.gif?tag=InfusionJS&amp;url=http%3A%2F%2Fwww.variety.com%2Fprofiles%2FCompany%2Fmain%2F2009764%2FScreen%2520Actors%2520Guild.html%3FdataSet%3D1&amp;gsid=4181122&amp;entitytypeid=11&amp;lid=2009764&amp;title=Screen%20Actors%20Guild&amp;zodid=134')">Screen Actors Guild</A>. </P><P>Gotham leaders of SAG are demanding that the guild's plan to seek a strike authorization vote be called off due to the faltering economy, and they want the guild's contract negotiating committee replaced in the hopes that new blood will help end the guild's months-long stalemate with the majors. <P>SAG president <A class=infusionLink href="http://www.variety.com/profiles/people/main/885911/Alan%20Rosenberg.html?dataSet=1" target=_blank alt="Alan Rosenberg" omd="zodJump('http://widgets.zibb.com/images/_jump.gif?tag=InfusionJS&amp;url=http%3A%2F%2Fwww.variety.com%2Fprofiles%2Fpeople%2Fmain%2F885911%2FAlan%2520Rosenberg.html%3FdataSet%3D1&amp;gsid=4997878&amp;entitytypeid=16&amp;lid=885911&amp;title=Alan%20Rosenberg&amp;zodid=134')">Alan Rosenberg</A> responded by setting the emergency national board meeting for Friday at SAG's Hollywood headquarters -- but he insists that the New York guild reps attend in person. Rosenberg blasted SAG's Gotham toppers for their "extraordinarily destructive and subversive" action. <P>A guild spokeswoman said SAG would not comment on why the emergency board meeting is a "face to face" session. New York reps indicated that requiring cross-country travel on short notice, when videoconferencing equipment is readily available, can only be interpreted as punitive and designed to hold down attendance by opponents of the guild's Hollywood leadership. <P>The skirmish that erupted after the New York board, headed by prexy <A class=infusionLink href="http://www.variety.com/profiles/people/main/411462/Sam%20Freed.html?dataSet=1" target=_blank alt="Sam Freed" omd="zodJump('http://widgets.zibb.com/images/_jump.gif?tag=InfusionJS&amp;url=http%3A%2F%2Fwww.variety.com%2Fprofiles%2Fpeople%2Fmain%2F411462%2FSam%2520Freed.html%3FdataSet%3D1&amp;gsid=4622579&amp;entitytypeid=16&amp;lid=411462&amp;title=Sam%20Freed&amp;zodid=134')">Sam Freed</A>, spoke out against the strike authorization vote on Friday afternoon widens the gulf between SAG leaders in Hollywood and the rest of the country. New York board member <A class=infusionLink id="a_Mike Hodge" onclick="javascript:zodInfuser.FillDescriptions('Mike Hodge');return false;" href="javascript:zodInfuser.FillDescriptions('Mike Hodge');" target=_blank alt="Please click for options" omd="zodJump('http://widgets.zibb.com/images/_jump.gif?tag=InfusionDisambiguation&amp;title=Mike%20Hodge&amp;zodid=134')">Mike Hodge</A> had already publicly criticized the decision to seek the strike authorization vote, while Gotham board member <A class=infusionLink href="http://www.variety.com/profiles/people/main/56358/Richard%20Masur.html?dataSet=1" target=_blank alt="Richard Masur" omd="zodJump('http://widgets.zibb.com/images/_jump.gif?tag=InfusionJS&amp;url=http%3A%2F%2Fwww.variety.com%2Fprofiles%2Fpeople%2Fmain%2F56358%2FRichard%2520Masur.html%3FdataSet%3D1&amp;gsid=4346875&amp;entitytypeid=16&amp;lid=56358&amp;title=Richard%20Masur&amp;zodid=134')">Richard Masur</A>, a former SAG prexy, has been a longtime foe of the guild's current Hollywood leadership. <P>Rosenberg and national exec director <A class=infusionLink id="a_Doug Allen" onclick="javascript:zodInfuser.FillDescriptions('Doug Allen');return false;" href="javascript:zodInfuser.FillDescriptions('Doug Allen');" target=_blank alt="Please click for options" omd="zodJump('http://widgets.zibb.com/images/_jump.gif?tag=InfusionDisambiguation&amp;title=Doug%20Allen&amp;zodid=134')">Doug Allen</A> are certain to receive a chilly reception tonight at a townhall meeting for New York members at the Westin Times Square. That confab was scheduled a week ago to discuss the strike authorization, which is still set to go out Jan. 2 with results announced Jan. 23. <P>The New York division leaders -- who rep about 25% of SAG's 120,000 members -- noted in their statement that while they had voted in October to support seeking a strike authorization if federal mediation failed, conditions have changed since then. <P>"While issuing a strike authorization may have been a sensible strategy in October, we believe it is irresponsible to do so now, in the face of widespread layoffs, cutbacks and reduced programming," the N.Y. board said in a statement. "The hardest and most important decision any union member must make is whether or not to go on strike. Before we ask you to make that choice, we feel we must, as your elected representatives, make every move we can to get you a deal." <P>In addition to seeking the emergency board meeting, the New York reps asked that all plans for a strike referendum cease; a new negotiating task force to replace the current negotiating committee at this emergency meeting; and that the Alliance of Motion Picture &amp; Television Producers be encouraged "in the strongest of terms" to return to the bargaining table. <P>Control of SAG's national board shifted in September elections away from Rosenberg's Membership First allies to a more moderate coalition of New York and regional reps along with half a dozen board members elected from Hollywood in the Unite for Strength faction, including <A class=infusionLink href="http://www.variety.com/profiles/people/main/31648/Amy%20Brenneman.html?dataSet=1" target=_blank alt="Amy Brenneman" omd="zodJump('http://widgets.zibb.com/images/_jump.gif?tag=InfusionJS&amp;url=http%3A%2F%2Fwww.variety.com%2Fprofiles%2Fpeople%2Fmain%2F31648%2FAmy%2520Brenneman.html%3FdataSet%3D1&amp;gsid=4332350&amp;entitytypeid=16&amp;lid=31648&amp;title=Amy%20Brenneman&amp;zodid=134')">Amy Brenneman</A> and <A class=infusionLink id="a_Kate Walsh" onclick="javascript:zodInfuser.FillDescriptions('Kate Walsh');return false;" href="javascript:zodInfuser.FillDescriptions('Kate Walsh');" target=_blank alt="Please click for options" omd="zodJump('http://widgets.zibb.com/images/_jump.gif?tag=InfusionDisambiguation&amp;title=Kate%20Walsh&amp;zodid=134')">Kate Walsh</A>. But the negotiating committee remains under the control of Membership First. <P>"With a fresh team, the AMPTP <I>will</I> return to the table, and we <I>can</I> get a fair deal," the N.Y. reps said. "A deal that will not cost careers, homes, lives. We want our members to understand that while strikes are sometimes unavoidable, we will do everything in our power to avoid this one." <P>Rosenberg responded by saying the global economy was already failing before the new board OK'd the plan to take a strike vote should the attempt at federal mediation fail to end the six month-long stalemate between SAG and the AMPTP. The sides held two sessions last month with a federal mediator, who called the process off on Nov. 22. <P>"We are keenly aware of and sensitive to the fact that the economy has further declined since then," Rosenberg added. "When economic times are tough, members rely on their union even more to protect them from management's tactics. I believe we must be even more vigilant during these challenging times. The solution to the industry's economic hardship must not be rollbacks that cripple our member's ability to earn a living." <P>The AMPTP made its final offer on June 30 as SAG's primetime-feature contract expired. Over 75% of SAG members who vote would have to affirm the authorization, with the national board having the final say, if SAG is to go on strike. <P>The PR campaigns to persuade actors have continued in high gear as SAG announced late Friday that it had launched a "solidarity statement" campaign for members to declare their support of a "yes" vote. The first 31 signers included <A class=infusionLink id="a_Mel Gibson" onclick="javascript:zodInfuser.FillDescriptions('Mel Gibson');return false;" href="javascript:zodInfuser.FillDescriptions('Mel Gibson');" target=_blank alt="Please click for options" omd="zodJump('http://widgets.zibb.com/images/_jump.gif?tag=InfusionDisambiguation&amp;title=Mel%20Gibson&amp;zodid=134')">Mel Gibson</A>, <A class=infusionLink id="a_Ed Harris" onclick="javascript:zodInfuser.FillDescriptions('Ed Harris');return false;" href="javascript:zodInfuser.FillDescriptions('Ed Harris');" target=_blank alt="Please click for options" omd="zodJump('http://widgets.zibb.com/images/_jump.gif?tag=InfusionDisambiguation&amp;title=Ed%20Harris&amp;zodid=134')">Ed Harris</A>, <A class=infusionLink href="http://www.variety.com/profiles/people/main/31766/Hal%20Holbrook.html?dataSet=1" target=_blank alt="Hal Holbrook" omd="zodJump('http://widgets.zibb.com/images/_jump.gif?tag=InfusionJS&amp;url=http%3A%2F%2Fwww.variety.com%2Fprofiles%2Fpeople%2Fmain%2F31766%2FHal%2520Holbrook.html%3FdataSet%3D1&amp;gsid=4332448&amp;entitytypeid=16&amp;lid=31766&amp;title=Hal%20Holbrook&amp;zodid=134')">Hal Holbrook</A>, <A class=infusionLink href="http://www.variety.com/profiles/people/main/29429/Holly%20Hunter.html?dataSet=1" target=_blank alt="Holly Hunter" omd="zodJump('http://widgets.zibb.com/images/_jump.gif?tag=InfusionJS&amp;url=http%3A%2F%2Fwww.variety.com%2Fprofiles%2Fpeople%2Fmain%2F29429%2FHolly%2520Hunter.html%3FdataSet%3D1&amp;gsid=4330416&amp;entitytypeid=16&amp;lid=29429&amp;title=Holly%20Hunter&amp;zodid=134')">Holly Hunter</A> and <A class=infusionLink href="http://www.variety.com/profiles/people/main/28367/Martin%20Sheen.html?dataSet=1" target=_blank alt="Martin Sheen" omd="zodJump('http://widgets.zibb.com/images/_jump.gif?tag=InfusionJS&amp;url=http%3A%2F%2Fwww.variety.com%2Fprofiles%2Fpeople%2Fmain%2F28367%2FMartin%2520Sheen.html%3FdataSet%3D1&amp;gsid=6464958&amp;entitytypeid=16&amp;lid=28367&amp;title=Martin%20Sheen&amp;zodid=134')">Martin Sheen</A>, along with board members <A class=infusionLink href="http://www.variety.com/profiles/people/main/28760/Scott%20Bakula.html?dataSet=1" target=_blank alt="Scott Bakula" omd="zodJump('http://widgets.zibb.com/images/_jump.gif?tag=InfusionJS&amp;url=http%3A%2F%2Fwww.variety.com%2Fprofiles%2Fpeople%2Fmain%2F28760%2FScott%2520Bakula.html%3FdataSet%3D1&amp;gsid=4329828&amp;entitytypeid=16&amp;lid=28760&amp;title=Scott%20Bakula&amp;zodid=134')">Scott Bakula</A>, <A class=infusionLink href="http://www.variety.com/profiles/people/main/159119/Justine%20Bateman.html?dataSet=1" target=_blank alt="Justine Bateman" omd="zodJump('http://widgets.zibb.com/images/_jump.gif?tag=InfusionJS&amp;url=http%3A%2F%2Fwww.variety.com%2Fprofiles%2Fpeople%2Fmain%2F159119%2FJustine%2520Bateman.html%3FdataSet%3D1&amp;gsid=4424574&amp;entitytypeid=16&amp;lid=159119&amp;title=Justine%20Bateman&amp;zodid=134')">Justine Bateman</A>, <A class=infusionLink href="http://www.variety.com/profiles/people/main/34724/Frances%20Fisher.html?dataSet=1" target=_blank alt="Frances Fisher" omd="zodJump('http://widgets.zibb.com/images/_jump.gif?tag=InfusionJS&amp;url=http%3A%2F%2Fwww.variety.com%2Fprofiles%2Fpeople%2Fmain%2F34724%2FFrances%2520Fisher.html%3FdataSet%3D1&amp;gsid=4334813&amp;entitytypeid=16&amp;lid=34724&amp;title=Frances%20Fisher&amp;zodid=134')">Frances Fisher</A>, Elliott Gould, <A class=infusionLink href="http://www.variety.com/profiles/people/main/28546/Diane%20Ladd.html?dataSet=1" target=_blank alt="Diane Ladd" omd="zodJump('http://widgets.zibb.com/images/_jump.gif?tag=InfusionJS&amp;url=http%3A%2F%2Fwww.variety.com%2Fprofiles%2Fpeople%2Fmain%2F28546%2FDiane%2520Ladd.html%3FdataSet%3D1&amp;gsid=4329628&amp;entitytypeid=16&amp;lid=28546&amp;title=Diane%20Ladd&amp;zodid=134')">Diane Ladd</A> and <A class=infusionLink href="http://www.variety.com/profiles/people/main/699485/Kent%20McCord.html?dataSet=1" target=_blank alt="Kent McCord" omd="zodJump('http://widgets.zibb.com/images/_jump.gif?tag=InfusionJS&amp;url=http%3A%2F%2Fwww.variety.com%2Fprofiles%2Fpeople%2Fmain%2F699485%2FKent%2520McCord.html%3FdataSet%3D1&amp;gsid=4849735&amp;entitytypeid=16&amp;lid=699485&amp;title=Kent%20McCord&amp;zodid=134')">Kent McCord</A>. <P>For its part, the AMPTP went to elected officials with a blast at SAG leaders on Friday by sending a letter to leading members of the California delegation including House Speaker <A class=infusionLink href="http://www.variety.com/profiles/people/main/812113/Nancy%20Pelosi.html?dataSet=1" target=_blank alt="Nancy Pelosi" omd="zodJump('http://widgets.zibb.com/images/_jump.gif?tag=InfusionJS&amp;url=http%3A%2F%2Fwww.variety.com%2Fprofiles%2Fpeople%2Fmain%2F812113%2FNancy%2520Pelosi.html%3FdataSet%3D1&amp;gsid=4939455&amp;entitytypeid=16&amp;lid=812113&amp;title=Nancy%20Pelosi&amp;zodid=134')">Nancy Pelosi</A> and U.S. Sens. <A class=infusionLink href="http://www.variety.com/profiles/people/main/203098/Barbara%20Boxer.html?dataSet=1" target=_blank alt="Barbara Boxer" omd="zodJump('http://widgets.zibb.com/images/_jump.gif?tag=InfusionJS&amp;url=http%3A%2F%2Fwww.variety.com%2Fprofiles%2Fpeople%2Fmain%2F203098%2FBarbara%2520Boxer.html%3FdataSet%3D1&amp;gsid=4459289&amp;entitytypeid=16&amp;lid=203098&amp;title=Barbara%20Boxer&amp;zodid=134')">Barbara Boxer</A> and Dianne Feinstein along with local, state and national elected officials in New York, Illinois and Michigan. <P>The missive, penned by AMPTP president Nick Counter, excoriated SAG leaders for refusing to accept the AMPTP's final offer, which contains similar terms to those in Hollywood labor agreements concluded this year by the WGA, DGA, IATSE, casting directors and AFTRA. <P>"Now, astonishingly, SAG is demanding that working actors attempt to wipe away the consequences of SAG's failed negotiating strategy by authorizing a strike," Counter said. "This strike vote is remarkable because it comes at a time when prominent economists are saying that the current recession may turn out to be the longest and most painful downturn since the Great Depression." <P>SAG deputy national exec director Pamm Fair disputed the majors' contention that SAG should accept a deal similar to those signed by the other unions. <P>"Screen Actors Guild represents actors who have different needs than writers, directors and crew members," Fair said in a statement. "We are different, not better. Our unique needs require that we negotiate a fair contract specific to actors, background actors and stunt performers, and not simply accept what has been agreed to by our sister unions." <P>Guild leaders have insisted that the needs of actors -- particularly in new media -- have not been adequately addressed in the AMPTP's final offer, issued June 30 as SAG's contract expired. <P>The AMPTP also took out an ad in today's <I><A class=infusionLink id="a_Daily Variety" onclick="javascript:zodInfuser.FillDescriptions('Daily Variety');return false;" href="javascript:zodInfuser.FillDescriptions('Daily Variety');" target=_blank alt="Please click for options" omd="zodJump('http://widgets.zibb.com/images/_jump.gif?tag=InfusionDisambiguation&amp;title=Daily%20Variety&amp;zodid=134')">Daily Variety</A></I> that attempts to refute Rosenberg on statements he's made about the final offer such as it representing the "beginning of the end of residuals." </P><DIV class=infusionPopup id="popup_Daily Variety" style="LEFT: -200em; POSITION: absolute; TOP: -200em"><DIV class=infusionPopupHeader id="header_Daily Variety" style="PADDING-LEFT: 4px; FONT-WEIGHT: bold; Z-INDEX: 1; LEFT: 20px; WIDTH: 228px; POSITION: absolute; TOP: 13px; HEIGHT: 20px; BACKGROUND-COLOR: #ffffff">More than one option</DIV><DIV id="close_Daily Variety" title=Close style="BACKGROUND-POSITION: -95px -398px; Z-INDEX: 5; LEFT: 239px; BACKGROUND-IMAGE: url(http://widgets.zibb.com/images/infusion.gif); OVERFLOW: hidden; WIDTH: 11px; CURSOR: pointer; POSITION: absolute; TOP: 18px; HEIGHT: 11px; Close: '-100em'"></DIV><DIV id="top_Daily Variety" style="BACKGROUND-POSITION-X: 0px; LEFT: 0px; BACKGROUND-IMAGE: url(http://widgets.zibb.com/images/infusion.gif); WIDTH: 243px; POSITION: absolute; TOP: 0px; HEIGHT: 25px"></DIV><DIV id="right_Daily Variety" style="BACKGROUND-POSITION: -529px 0px; LEFT: 243px; BACKGROUND-IMAGE: url(http://widgets.zibb.com/images/infusion.gif); WIDTH: 25px; POSITION: absolute; TOP: 0px; HEIGHT: 100px"></DIV><DIV id="left_Daily Variety" style="BACKGROUND-POSITION: 0px -379px; LEFT: 0px; BACKGROUND-IMAGE: url(http://widgets.zibb.com/images/infusion.gif); WIDTH: 25px; POSITION: absolute; TOP: 25px; HEIGHT: 100px"></DIV><DIV id="bottom_Daily Variety" style="BACKGROUND-POSITION: -311px -467px; LEFT: 25px; BACKGROUND-IMAGE: url(http://widgets.zibb.com/images/infusion.gif); WIDTH: 243px; POSITION: absolute; TOP: 100px; HEIGHT: 25px"></DIV><DIV id="point_Daily Variety" style="BACKGROUND-POSITION: -40px -328px; LEFT: 40px; BACKGROUND-IMAGE: url(http://widgets.zibb.com/images/infusion.gif); WIDTH: 40px; POSITION: absolute; TOP: -8px; HEIGHT: 15px"></DIV><DIV style="OVERFLOW: hidden"><UL id="ul_Daily Variety" style="PADDING-RIGHT: 4px; MARGIN-TOP: 15px; PADDING-LEFT: 4px; LEFT: 23px; PADDING-BOTTOM: 4px; MARGIN-LEFT: 0px; WIDTH: 228px; PADDING-TOP: 4px; LIST-STYLE-TYPE: none; POSITION: absolute; TOP: 15px; BACKGROUND-COLOR: white"><LI><A href="http://www.variety.com/profiles/Company/main/2039770/Daily%20Variety.html?dataSet=1" target=_blank alt="Daily Variety" omd="zodJump('http://widgets.zibb.com/images/_jump.gif?tag=InfusionJSPP&amp;url=http%3A%2F%2Fwww.variety.com%2Fprofiles%2FCompany%2Fmain%2F2039770%2FDaily%2520Variety.html%3FdataSet%3D1&amp;gsid=4200464&amp;entitytypeid=11&amp;lid=2039770&amp;title=Daily%20Variety&amp;description=Filmography%2C%20Year%2C%20Role&amp;zodid=134')">(Co) Daily Variety</A> <DIV class=disambig_desc id="li_Daily Variety_0">Filmography, Year, Role</DIV><LI><A href="http://www.variety.com/profiles/Company/main/2134166/Daily%20Variety.html?dataSet=1" target=_blank alt="Daily Variety" omd="zodJump('http://widgets.zibb.com/images/_jump.gif?tag=InfusionJSPP&amp;url=http%3A%2F%2Fwww.variety.com%2Fprofiles%2FCompany%2Fmain%2F2134166%2FDaily%2520Variety.html%3FdataSet%3D1&amp;gsid=4267768&amp;entitytypeid=11&amp;lid=2134166&amp;title=Daily%20Variety&amp;zodid=134')">(Co) Daily Variety</A></LI></UL></DIV></DIV><P>In response, the congloms contend that the proposed deal includes the first-ever residuals for ad-supported streaming for features and TV; an increased residual rate for permanent downloads; first-ever residuals for derivative new media and original programs; exclusive SAG jurisdiction for new-media programs; and jurisdiction over "high budget" original new media productions and low-budget programs that employ a single "covered" actor. <P>SAG has insisted that the budget thresholds in the AMPTP proposal -- $15,000 per minute or $300,000 per production -- will lead to the guild sanctioning non-union work as more production migrates to new media platforms. <P>SAG fired back Sunday night, accusing the AMPTP of lying about the offer and asserting that streaming of new TV shows on new media platforms will pay day performers $46 for the first year&#47977; use after a 17-day free rerun window. It also complained about the jurisdiction language; the lack of compensation for original programming on network sites as abc.com; and rollbacks in clip consent and force majeure. <P>"Management is offering a lousy deal with 'zero' in new media and is threatening the promotion of non-union work in a residual-free environment without minimum compensation," SAG concluded. "That could be the beginning of the end for actors careers and livelihoods.</P></SPAN>]]></description>
    <pubDate>Mon, 15 Dec 2008 20:21:12 +0900</pubDate>
    <dc:subject><![CDATA[Text]]></dc:subject>
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    <title><![CDATA[Oscar Roundtable: The Actors]]></title>
    <link>http://blog.paran.com/harris/29004903</link>
    <description><![CDATA[<P>+ <A href="http://www.hollywoodreporter.com/hr/content_display/film/news/e3i4d2fc033695aeece6068de79b0861d88" target=_blank>http://www.hollywoodreporter.com/hr/content_display/film/news/e3i4d2fc033695aeece6068de79b0861d88</A></P><P>&nbsp;</P><P>&nbsp;</P><P>&nbsp;<IMG style="WIDTH: 500px; HEIGHT: 200px" onclick=window.open(this.src) alt="ÀÌ¹ÌÁö¸¦ Å¬¸¯ÇÏ½Ã¸é ¿øº»Å©±â·Î º¸½Ç¼ö ÀÖ½À´Ï´Ù." hspace=0 src="http://blogfile.paran.com/BLOG_217470/200812/1229249188_63244-actors_roundtable_500.jpg"></P><P class=img_caption>Ed Harris (left), Josh Brolin, Hugh Jackman, Richard Jenkins, Mickey Rourke, Benicio Del Toro (Photos by Kharen Hill)</P><DIV>&nbsp;</DIV><DIV id=hideTop><TABLE cellSpacing=0 cellPadding=0 width="100%" border=0><TBODY><TR><TD colSpan=2></TD></TR><TR><TD><A href="javascript:void(printArticle());" target=_blank></A>&nbsp;</TD><TD align=right></TD></TR></TBODY></TABLE></DIV></ILAYER><DIV><TABLE cellSpacing=0 cellPadding=0 width="100%" border=0><TBODY><TR><TD bgColor=#cccccc><IMG height=2 src="http://images.clickability.com/pti/spacer.gif" width=2></TD></TR><TR><TD>&nbsp;</TD></TR></TBODY></TABLE></DIV><!--Article Goes Here--><DIV><TABLE cellSpacing=0 cellPadding=0 width="100%" border=0><TBODY><TR><TD><H1 class=headline>Oscar Roundtable: The Actors</H1><P class=author>By Stephen Galloway and Elizabeth Guider</P><P class=date>Dec 9, 2008, 11:00 PM ET</P><DIV id=main_story><DIV id=related_content><TABLE class=news_col cellSpacing=0 cellPadding=0 border=0><TBODY></TBODY></TABLE></DIV><I>From riding the open range to traveling in the shoes of infamous political figures, this awards season's most buzzed-about performers have logged a lot of mileage this year. The Hollywood Reporter's Matthew Belloni gathered six actors -- Josh Brolin (Lionsgate's "W.," Focus Features' "Milk"), Benicio Del Toro (IFC Films' "Che"), Ed Harris (Warner Bros.' "Appaloosa"), Hugh Jackman (Fox's "Australia"), Richard Jenkins (Overture's "The Visitor") and Mickey Rourke (Fox Searchlight's "The Wrestler") -- to discuss portraying real people on film, bringing their work home with them and how to handle a fight with a director.</I><BR><BR><B>The Hollywood Reporter:</B> What has surprised you most about being an actor?<BR><BR><B>Ed Harris:</B> As much as you prepare, or as much as you do your research, the actual doing is what is really enlightening and where the surprises come. It's like an unzipping. You pull yourself apart and discover what is inside. I hate working with some actors, none of whom are here at the moment, where it is so plotted out that there are no surprises. It is so plotted out that it is always the same. It is very mannered. Technique is great, but you have to be able to let go and see what is in there hiding away.<BR><BR><B>Richard Jenkins:</B> I'm not being cute about this -- I'm surprised that I can make a living out of this. But having said that, being able to not censor yourself and let yourself go is a technique in itself. It's a scary thing.<BR><BR><B>Hugh Jackman:</B> I was just doing ADR (additional dialogue recording) the other day, which I find tough and draining, and I found myself engaged, loving it. Making believe in this dark room with a microphone, watching myself on the screen, I was thinking that it couldn't be more odd. Yet the challenge of making him real and present and to make that character live in the voice, I thought, what kind of job at age 40 still kind of turns you on?<BR><BR><B>Harris:</B> You make a film and you go around and do interviews and shit. Pardon -- my publicist said watch your language. It's true for all of us. You're acting, and the process of doing it informs your life as much as your life is informing your process. All of your senses are fucking alive.<BR><BR><B>THR:</B> What kind of personal toll does this process take?<BR><BR><B>Harris:</B> It doesn't take a toll. It's illuminating and invigorating.<BR><BR><B>Josh Brolin:</B> You start blending your life. It's like if you jump out of airplanes, you get addicted to it until something goes wrong -- hopefully not. I love heightened states, racing cars, doing these things, but at the same time, if I treated my kids the same way I treat racing, it doesn't work. You have to separate yourself.<BR><BR><B>Harris:</B> These guys who do film after film after film. It's a choice. I'm not making a judgment. But it takes care of one part of your life because it is your life.<BR><BR><B>THR:</B> Josh, what are the guiding forces in the choices you make?<BR><BR><B>Brolin:</B> I seem to get bored very easily. I've done a lot of theater, but I don't like doing plays for more than a couple of months. I get bored. So when I decide on a part, ultimately it's something that will hold my interest. I've just done a junket today about "Milk" and "W.," and they ask, "How can you make these guys sympathetic?" To me, everybody is human, and it's more interesting and colorful to delve into this pool of a human and not play a result of that human -- like, this guy murdered this guy, or this guy was president.<BR><BR><B>THR:</B> Mickey, give us a little insight into your process.<BR><BR><BR><BR><B>Mickey Rourke:</B> I studied so hard at the Actors Studio for years. I walked in one day and there was Al Pacino. I couldn't take my eyes off of him. There was Robert De Niro, Chris Walken -- Harvey Keitel snapped his fingers at me to move out of the way. I remember seeing him in "Mean Streets" (1973). And when you are working, when you are dedicating yourself, you want to be the best you can be because there are people before you who have raised the bar. But I was too naive to realize the politics of the business. When I got out here, I couldn't deal with that. I thought I was above that. I wasn't prepared enough. I wasn't educated enough.<BR><BR><B>THR:</B> How long did it take you to get that education?<BR><BR><B>Rourke:</B> Thirteen years of therapy. (Laughs.)<BR><BR><B>THR:</B> But you feel like you're now educated?<BR><BR><B>Rourke:</B> Oh yeah. But I paid a price for it. I never wanted to be second best; I wanted to be the best. And you're only as good as the material or your director. When you take a job for the money and the material sucks, then you just walk through. We've all done that. I'll never do it again.<BR><BR><B>THR:</B> What does it mean for you to be in a role that has been as well-received as this one has?<BR><BR><B>Rourke:</B> When you've been out of work as long as I have -- and it's been my fault -- but you get a second chance, it's kind of surreal. I'm not angry about it. I'm more grateful, and I understand that it's all my fault, and that there were mistakes. It was a process I had to go through. Someone asked me, do you think you could have given the same performance (in "The Wrestler") 15 years ago? I said yes. Then I said no, because (director Darren Aronofsky) would have seemed then to be an authority figure, and I would have been butting heads with him. So probably not.<BR><BR><B>THR:</B> To what extent can an actor become another person?<BR><BR>Brolin: Unless you are a psychotic, insane person, there is a difference between playing a character and not. I'm sorry. I don't care how deep you are into it.<BR><BR><B>Benicio Del Toro:</B> I see what I do like being a shoemaker. I take pride in what I do. The difference is that I go to the supermarket and people come running at me. There are advantages and disadvantages. It gets confusing. The craft of acting is one thing. The other side -- how to stay real -- if you don't separate it, you can get really confused.<BR><BR><B>Brolin:</B> There is a fear that you will fuck up or lose it. For me, it started with a play, "True West." I left for three days because they were deciding whether or not they wanted to continue the play or not. I left and took a little vacation and when I went back, I gave the worst fucking performance of my life because I completely separated myself. So I always have a healthy fear that if I just keep the character running at all times (it will work out), and I feel obligated to do that. I know people who go to the trailer and play PlayStation. But at the same time, you are there to do a job. You are there to be professional. Know your stuff. Once it's done, you are done.<BR><BR><B>THR:</B> How does your approach to a role change when you are playing a real person?<BR><BR><BR><BR><B>Brolin:</B> It's not the same. It's great because you have the information. But it's a little more disconcerting because there is some form of copy that goes into it. I want to get that voice or the body language. Then you have to always personalize it. You have to humanize the character. To not do that doesn't make any sense.<BR><BR><B>Jackman:</B> Were you more stringent to mimic Bush?<BR><BR><B>Brolin:</B> Less with Bush. More with Dan White (in "Milk"). The reason is that there are so many characters to play in "W." With Dan White, we covered 10 months. With Bush (we covered) 37 years. It starts with him at 21 years old and ends up at 58. It's very rare to do that. You have to start graphing out. Where were the milestones? When did this change? What is the difference between him at 21 and 25?<BR><BR><B>THR:</B> Benicio, was that your process as well with Che?<BR><BR><B>Del Toro:</B> Pretty much what (Brolin) said. But I think his is harder. His is 37 years. Mine is 10 or less. I don't have Che on CNN every night, but I have history. I got to meet people who knew him and told me things about him. In the end, (Brolin) is doing an interpretation. So am I. I'm not Che.<BR><BR><B>Rourke:</B> I got an ashtray at home with Che's face on it. Yeah, he does look like you. (Laughs.)<BR><BR><B>THR:</B> Mickey, how do you prepare for a part?<BR><BR><B>Rourke:</B> I was fortunate enough to stumble into the Actors Studio. I had no money and no social life; I had nothing to do but study all the time. I wasn't screwing chicks or taking people out to dances. Studio 54 was going on but I didn't know about Studio 54. I was living in my little room, doing construction every day. I would grab bums off the street to read lines with. This whole Stanislavski thing boils down to: You are as good as your teacher, and you are as good as the hard work you put into it. If you haven't done it, or studied it to the fullest extent, then you can't f***ing teach it. There are a lot of teachers out there, but only a few can really tap into it. I made a choice in ("The Wrestler"). I said, I want to wear a hearing aid. And I made the choice not because I needed a prop but because I knew a wrestler who was once a bodybuilder, and he blew out both his eardrums 'cause he used to work building Harleys. And I had to fight like hell for this. Darren said to me, "I'm not going to give you one of your Method-actor studio props." And I said, "Whoa whoa whoa. Will you rethink this?" And then he did something that I think was smart: He underused it. I probably would have overused it. But I justified the choice.<BR><BR><B>THR:</B> You brought up an interesting point. What is the best way to handle a major disagreement with a director?<BR><BR><B>Rourke:</B> I had to learn the hard way. Early on, I worked with some real good guys: Coppola, Cimino, Alan Parker, Adrian Lyne. As long as I have respect for the director, I will give him my lungs. But as soon as I needed to pay my mortgage on some stupid house in Beverly Hills that I couldn't afford, I'm working on a piece that I don't believe in and working for a director who's letting another actor tell him where to put the camera. I learned a lesson that I need to live within my means so that I don't have to whore myself and go to work on some piece of crap with somebody that I don't respect.<BR><BR><B>THR:</B> Ed, what's the secret to directing yourself?<BR><BR><BR><BR><B>Harris:</B> I can't explain it. I just feel comfortable doing it. Directing is a compulsion. It's instinctive: "I want to do this thing."<BR><BR><B>THR:</B> Does anyone else have any desire to direct?<BR><BR><B>Harris:</B> Mickey, you'd be great at it.<BR><BR><B>Rourke:</B> I thought about that. But if I was the director then I would still be feuding as we're talking here, so I don't think I'm cut out for it.<BR><BR><B>Jackman:</B> Not for me. I feel I'm too indecisive on the little things. I don't have the confidence. It took me years before I finally understood the camera and how to tell a story visually. I feel more informed by atmosphere and rhythm and audience, and that sort of thing. So as an actor, I can feel that.<BR><BR><B>Jenkins:</B> I've directed a lot of theater, and what I've found is that I am really an actor. I did love rehearsal and exploring stuff, but I also feel as a director, you know this movie better than anybody. I can't see a movie in my head. I work with the Coen brothers a lot and it's there -- they have a movie in their head. They let you do your work, but man, my brain doesn't work that way.<BR><BR><B>THR:</B> Can a good actor play almost any role?<BR><BR><B>Jenkins:</B> No. Maybe I am giving myself away as not a good actor, but I think we have limitations, and the older I get, I realize I can't do everything. Even though you would like to think you can, that's just my opinion. There are things I read and I think, I don't know what I'd bring to this. There are people who can do this better than me.<BR><BR><B>Brolin:</B> We have limitations, but what limitations? We don't know our limitations until we experience them. I can go play a jock and people will say, "Hey, he's got the hair, he's got the jaw." But then I play it and I'm awful because I don't understand it.<BR><BR><B>THR:</B> Hugh, do you feel like there are parts you can't play because of your status as a movie star?<BR><BR><BR><BR><B>Jackman:</B> No, that doesn't come into my mind. But there are some things I read, and I just go, "No." You generally get a gut feeling. You've got that compulsion to play (a part). People will say, "You're so wrong for that." But if you have that compulsion to play it, and it turns you on but you feel a little bit scared, then give it a go. And if they close the door, say, "You were right, but thanks for giving me a shot."<BR><BR><B>THR:</B> How has the business changed the most in the last 15-20 years?<BR><BR><B>Rourke:</B> Well, I wasn't in the business for the last 15 years. You're asking the wrong guy! (Laughs.) I don't look at this whole thing as a business, but you've got to meet these guys in an office. They aren't always the most pleasant people, those casting people. I remember some dude sitting there and eyeballing me and I thought, "What the fuck does he want?" You got to get over that and go, "Hi, how are you doing? I like that shirt." And that's a game. So it starts that way. A lot of us aren't prepared for that. There are so many actors out there now that are movie stars because they're good at that. They know how to be political and get by being mediocre -- and get paid a lot of money. You look at guys back in the day like Monty Clift and Brando -- they were all actors. Richard Harris. Those guys. I like to read biographies. I read the Errol Flynn biography -- Jesus Christ! I've been there and back! His career was over by 41. The guy was beautiful and he really wanted to be an actor, not a sword-doer, and they put him in a category. Here was a guy who had it all but then he self-destructed.<BR><BR><B>Harris:</B> It's a business. That's the huge problem. It's a huge corporate business.<BR><BR><B>THR:</B> But it's a business built on creativity.<BR><BR><B>Harris:</B> No, it's not a business built on creativity at all. It's built on the almighty dollar. Let's be real.<BR><BR><B>Brolin:</B> The business is creative. But a lot of times, when the business people try to make creative decisions, things get really muddy. I've been fortunate to work with these amazing filmmakers recently. Instead of taking the extra buck, they are willing to give it up in order to have final cut. For them, it's most important. The Coens are a perfect example. "O Brother, Where Art Thou?" made a lot of money, especially the music. The music made over $200 million, but I don't think they saw but 5 cents of that whole thing, and they are OK with that because they got final cut.<BR><BR><B>THR:</B> Do you ever try to predict how well your movies will do?<BR><BR><B>Brolin:</B> We were convinced "No Country for Old Men" wasn't going to make a cent. The Coens actually said that to me, "Nobody is going to see this movie." You never know.<BR><BR><B>Harris:</B> We were lucky to get "Appaloosa" out there. If you were to talk to me three months ago, I thought it was going to go straight to video. I called up (Alan) Horn at Warner Bros. personally, and I said, "Look if you don't back this a little bit, you know it'll be gone in a week, and it's a good film. It deserves a shot at something." The guy heard me and respected me, and respected the film and got behind it, to a good degree.<BR><BR><B>THR:</B> What would you do if you weren't an actor?<BR><BR><BR><BR><B>Jenkins:</B> I drove a laundry truck and had seven accidents in two months. One -- I wasn't even in the truck. A laundry bag hit the gear. It rolled down and hit a guy's parked car. There is nothing I would do.<BR><BR><B>Rourke:</B> I had a candy store. It was in an alleyway. We sold candy. Our clientele were the Hells Angels and Bob Dylan with his hood on. Nobody knew who Bob was. He was real quiet. Then the Hells Angels would come in. Then the beautiful models. Christy Turlington. It was one hell of a candy store. I had a private office in the back. It was '50s-style. We had a humidifier and blue smoke came out of the pipes. We would all get on the motorcycles at night. I wanted a place to hang out with people that I wanted to hang out with. It was a boys and girls club.<BR><BR><B>Del Toro:</B> Bullfighter.<BR><BR><B>Jackman:</B> I wanted to be a radio stringer. I wanted to go around the world with a recorder, and I got my journalism degree and was all ready to go. Somehow I detoured.<BR><BR><B>Brolin:</B> The whole reason I became an actor is because you can play all the different professions that you wouldn't have to honestly feel pressure to accomplish.<BR><BR><B>Harris:</B> I've grown fond of horses over the years. I would like to learn how to train horses. I would need somebody to help me out.<BR><BR><B>THR:</B> Is there another era in which you would have liked to be an actor?<BR><BR><B>Del Toro:</B> I'm OK. I think it's the same stuff that went on. At least from what I've read.<BR><BR><B>Rourke:</B> It's like they say, "Who is the best fighter who has ever lived?" What era? You can't compare Joe Lewis to Muhammed Ali. You can't compare someone today with Joe DiMaggio. Different eras. Back in the day, guys worked jobs. Now they just work out all the time.</DIV></TD></TR></TBODY></TABLE></DIV><!--Article End--><!--Bibliography Goes Here--><DIV><TABLE cellSpacing=0 cellPadding=0 width="100%" border=0><TBODY><TR><TD>&nbsp;</TD></TR><TR><TD bgColor=#cccccc><IMG height=2 src="http://images.clickability.com/pti/spacer.gif" width=2></TD></TR><TR><TD>&nbsp;</TD></TR><TR><TD><BR><BR></TD></TR></TBODY></TABLE></DIV><!--Bibliography End--><DIV><TABLE cellSpacing=0 cellPadding=0 width="100%" border=0><TBODY><TR><TD class=font-cn>&nbsp;</TD></TR><TR><TD class=font-cn></TD></TR><TR><TD>&nbsp;</TD></TR></TBODY></TABLE></DIV><ILAYER id=layerBottom visibility="hide"><DIV id=hideBottom><TABLE cellSpacing=0 cellPadding=0 width="100%" border=0><TBODY><TR><TD><A href="javascript:void(printArticle());" target=_blank></A>&nbsp;</TD><TD class=font-cn align=right><TABLE cellSpacing=0 cellPadding=0 border=0><TBODY><TR><TD><IMG height=19 src="http://images.clickability.com/pti/spacer.gif" width=2></TD><TD class=font-cn noWrap align=right bgColor=#e6e6e6>&nbsp; </TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE></DIV></ILAYER><DIV><TABLE cellSpacing=0 cellPadding=0 width="100%" border=0><TBODY><TR><TD class=font-cn>&nbsp;</TD></TR><TR><TD>&nbsp;</TD></TR><TR><TD>&nbsp;</TD></TR></TBODY></TABLE></DIV><!--Copywrite Goes Here--><DIV>&nbsp;</DIV><!--Copywrite End--><DIV><TABLE cellSpacing=0 cellPadding=0 width="100%" border=0><!--Banner Start --><TBODY><TR><TD align=middle colSpan=2><TABLE><TBODY><TR><TD></TD></TR></TBODY></TABLE></TD></TR><!--Banner End --></TBODY></TABLE></DIV><!--endPrintThis-->]]></description>
    <pubDate>Sun, 14 Dec 2008 19:14:45 +0900</pubDate>
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    <title><![CDATA[Holland`s films at NYC MOMA]]></title>
    <link>http://blog.paran.com/harris/28889882</link>
    <description><![CDATA[<P>+ <A href="http://www.polskieradio.pl/thenews/culture/?id=97585" target=_blank>http://www.polskieradio.pl/thenews/culture/?id=97585</A></P><P>&nbsp;</P><P>Holland's films at NYC MOMA</P><P>Created: 08.12.2008 12:32<BR>A retrospective of the film output of the prominent Polish director, Agnieszka Holland, opens at the Museum of Modern Art in New York on Wednesday, 10 December, with the screening of Copying Beethoven, <FONT style="BACKGROUND-COLOR: #fef4c4">introduced by Holland and Ed Harris</FONT>, who plays Beethoven in the film.&nbsp; </P><P>The programme of the event includes her features made in the west over the past two decades, such as To Kill a Priest (about the murder of the Solidarity priest Father Jerzy Popieluszko in 1984), Europa, Europa, A Secret Garden, Washington Square, The Third Miracle and Total Eclipse, as well as her early films made in Poland in the 1970s which probed into various aspects of life under communism (Sunday Children, Screen Tests, Provincial Actors, A Lonely Woman). </P><P>The MOMA retrospective lasts until 5 January 2009.</P><P><BR>Agnieszka Holland is a graduate of the Film Academy in Prague. She started her career in Poland in 1972 as an assistant to Krzysztof Zanussi. She settled in the West in 1981. A week ago, she celebrated her 60th birthday.&nbsp; (mk)<BR></P>]]></description>
    <pubDate>Tue, 9 Dec 2008 17:24:15 +0900</pubDate>
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